{"id":173,"date":"2016-11-06T18:46:00","date_gmt":"2016-11-06T17:46:00","guid":{"rendered":"https:\/\/cmtn-scandinavie.fr\/index.php\/2016\/11\/06\/instrument-accordeon-diatonique\/"},"modified":"2025-09-09T19:26:10","modified_gmt":"2025-09-09T17:26:10","slug":"instrument-accordeon-diatonique","status":"publish","type":"post","link":"https:\/\/cmtn-scandinavie.fr\/index.php\/2016\/11\/06\/instrument-accordeon-diatonique\/","title":{"rendered":"Instrument : Accord\u00e9on Diatonique"},"content":{"rendered":"<p><i>Cet article est tir\u00e9 du bulletin CMTN num\u00e9ro 84. <\/i><\/p>\n<p>\nHier, dans la boite aux lettres, il y avait un colis qui venait de Finlande. C\u2019\u00e9tait mon ami Markku Lepist\u00f6<span style=\"color: black; font-size: 11pt; font-style: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; font-variant: normal;\">.&nbsp;<\/span><br \/>\n<span style=\"color: black; font-size: 11pt; font-style: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; font-variant: normal;\"><br style=\"-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-style: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;\" \/><\/span><br \/>\n<\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" style=\"margin-left: auto; margin-right: auto; text-align: center;\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><a href=\"https:\/\/2.bp.blogspot.com\/-hLN7gYkma3k\/WB9pVxVdlxI\/AAAAAAAANOA\/d_sOGWzJ29QZZXkTO9315bYoSDoeqJoCwCLcB\/s1600\/samurai_11_correns_705_lieve-copy.jpeg\" style=\"margin-left: auto; margin-right: auto;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"300\" src=\"https:\/\/2.bp.blogspot.com\/-hLN7gYkma3k\/WB9pVxVdlxI\/AAAAAAAANOA\/d_sOGWzJ29QZZXkTO9315bYoSDoeqJoCwCLcB\/s400\/samurai_11_correns_705_lieve-copy.jpeg\" width=\"400\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">@<a href=\"http:\/\/www.markkulepisto.com\/\" class=\"broken_link\">http:\/\/www.markkulepisto.com<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"color: black; font-size: 11pt; font-style: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; font-variant: normal;\"><br style=\"-webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-style: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-position: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;\" \/><\/span><\/p>\n<p>Dans le paquet il y avait un bouquin \u00e9crit par Markku sur un musicien traditionnel, Tauno Krossi, et la transcription en partitions et tablatures de son r\u00e9pertoire. Les explications de Markku sur le type<br \/>\nde diato employ\u00e9 en Finlande sont essentielles pour comprendre ce r\u00e9pertoire et\u2026 c\u2019est passionnant :<\/p>\n<div style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/1.bp.blogspot.com\/-1EiMNcgoec8\/WB9qCPj_TLI\/AAAAAAAANOE\/nZlZp9k466Y1frTcrYB8aFOLuC3pGClbQCLcB\/s1600\/krossinthumb_0906_520.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"><img decoding=\"async\" border=\"0\" src=\"https:\/\/1.bp.blogspot.com\/-1EiMNcgoec8\/WB9qCPj_TLI\/AAAAAAAANOE\/nZlZp9k466Y1frTcrYB8aFOLuC3pGClbQCLcB\/s1600\/krossinthumb_0906_520.jpg\" \/><\/a><\/div>\n<p>\nL\u2019accord\u00e9on le plus courant est un deux rang Sol\/Do, mais\u2026..<\/p>\n<ol>\n<li>&nbsp;Sur la rang\u00e9e int\u00e9rieure, les notes du cinqui\u00e8me bouton sont invers\u00e9es, La en poussant, Sol en tirant. C\u2019est super pratique pour jouer en Sol. Moi, j\u2019ai fais \u00e7a sur mon La R\u00e9 Sol pour jouer en R\u00e9. Et je le recommande vivement.<\/li>\n<li>&nbsp;Et du cot\u00e9 basses, grosse surprise, l\u00e0 o\u00f9 l\u2019on s\u2019attend \u00e0 trouver un Fa, en poussant et en tirant, il y a un Si\u2026.. Si, si, si j\u2019ose dire.<\/li>\n<\/ol>\n<p>\u00c7a confirme d\u2019abord qu\u2019il n\u2019y pas de standard en mati\u00e8re de diato&#8230;.\u00c7a me conforte surtout dans l\u2019id\u00e9e que chaque instrument traditionnel est fait pour son r\u00e9pertoire, et inversement (on ne sait<br \/>\ntoujours pas, malgr\u00e9 les r\u00e9centes recherches, si la poule a pr\u00e9c\u00e9d\u00e9 l\u2019\u0153uf ou l\u2019\u0153uf la poule). En effet, sur les 61 morceaux not\u00e9s, 47 sont en Sol majeur, 12 en Mi mineur et 2 commencent en Sol et finissent en Mi mineur. Pas un seul morceau en Do, pas un seul en La mineur et mieux encore, sur les 61 morceaux not\u00e9s, aucun La mineur n\u2019est utilis\u00e9 \u00e0 la main gauche. On comprend mieux aussi l\u2019accord de Si \u00e0 la main gauche, l\u2019accord de dominante quand on joue en Mi mineur et qui nous manque parfois quand on joue en Sol. Markku note qu\u2019il a suivi au plus pr\u00e8s les enregistrements disponibles de Tauno Krossi et que sa conception de l\u2019harmonie est diff\u00e9rente de celle d\u2019aujourd\u2019hui o\u00f9 l\u2019on utilise des suites d\u2019accords plus riches.<\/p>\n<div style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/2.bp.blogspot.com\/-Q9J2qSWWxrg\/WB9sDICaSrI\/AAAAAAAANOQ\/Vl4aZFxkYIkBRaK1VsclhjE1SbfTqnFnQCLcB\/s1600\/tune%2B2.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"250\" src=\"https:\/\/2.bp.blogspot.com\/-Q9J2qSWWxrg\/WB9sDICaSrI\/AAAAAAAANOQ\/Vl4aZFxkYIkBRaK1VsclhjE1SbfTqnFnQCLcB\/s400\/tune%2B2.jpg\" width=\"400\" \/><\/a><\/div>\n<p>La derni\u00e8re partie du livre vient au secours des pauvres musiciens qui jouent sur l\u2019accord\u00e9on diatonique europ\u00e9en comme l\u2019appelle Markku, c&#8217;est-\u00e0-dire sans note retourn\u00e9e sur la deuxi\u00e8me<br \/>\nrang\u00e9e et avec un Fa aux basses. Ce sont en effet les m\u00eames morceaux, mais avec la tablature qui correspond \u00e0 notre accord\u00e9on et les morceaux en mineur, je vous le donne en mille, sont jou\u00e9s en \u2026. La mineur, en tirant. Adaptation, adaptation \u2026.En fait ce n\u2019est pas La mineur, car c\u2019est \u00e9crit pour un diato Do\/Fa, et c\u2019est donc R\u00e9 mineur. Bon \u00e7a suit au fond de la classe ?<\/p>\n<p><\/p>\n<div style=\"clear: both; text-align: center;\">\n<a href=\"https:\/\/3.bp.blogspot.com\/-YdinPgB0iHM\/WB9sI-JKmSI\/AAAAAAAANOU\/y4UBuED94SwBgOkz7cxdJtcZqTwXijA1wCLcB\/s1600\/tune1.jpg\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"350\" src=\"https:\/\/3.bp.blogspot.com\/-YdinPgB0iHM\/WB9sI-JKmSI\/AAAAAAAANOU\/y4UBuED94SwBgOkz7cxdJtcZqTwXijA1wCLcB\/s400\/tune1.jpg\" width=\"400\" \/><\/a><\/div>\n<p>\nPour finir, 2 citations tir\u00e9es du bouquin, la premi\u00e8re de Tauno Krossi, un peu technique et concernant la soupape d\u2019air : <i>\u00ab Il faut avoir toujours le pouce qui appuie dessus et contr\u00f4ler le d\u00e9bit d\u2019air<br \/>pour contr\u00f4ler la dynamique de la m\u00e9lodie \u00bb<\/i>.<br \/>\nEt la seconde, de Markku : <i>\u00ab Rien n\u2019emp\u00eache d\u2019apprendre le m\u00eame air sur un autre instrument,<br \/>avec un autre doigt\u00e9 \u00bb<\/i><\/p>\n<div style=\"text-align: right;\">\n<b>Jean-Pierre Yvert<\/b><i> <\/i><\/div>\n<div style=\"text-align: right;\"><b><br \/><\/b><\/div>\n<div style=\"text-align: right;\"><b>&nbsp; &nbsp; &nbsp;&nbsp;<\/b><\/div>\n<div style=\"text-align: right;\"><span style=\"text-align: left;\"><br \/><\/span><\/div>\n<div style=\"text-align: right;\"><span style=\"text-align: left;\"><i>&nbsp; <\/i>Markuu Lepist\u00f6 vit \u00e0 Tartila en Finlande &nbsp; &nbsp;<\/span><\/div>\n<div style=\"text-align: left;\">\n<i><br \/><\/i><\/div>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"450\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d11220609.378083263!2d7.127981720290947!3d58.03234325039169!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x468ef206987fd51b%3A0xa00b553b98eff60!2s37770+Tarttila%2C+Finlande!5e0!3m2!1sfr!2sfr!4v1478454189400\" style=\"border: 0;\" width=\"600\"><\/iframe><\/p>\n<div><\/div>\n<div><\/div>\n<div><a href=\"https:\/\/www.youtube.com\/watch?v=8cIvM04xeno\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: large;\">Finn air<\/span><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p class=\"text-justify\">Cet article est tir\u00e9 du bulletin CMTN num\u00e9ro 84. Hier, dans la boite aux lettres, il y avait un colis qui venait [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,12,4,19],"tags":[],"class_list":["post-173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives-bulletins","category-finlande","category-les-instruments-nordiques","category-tradition-et-culture"],"_links":{"self":[{"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/posts\/173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/comments?post=173"}],"version-history":[{"count":1,"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/posts\/173\/revisions"}],"predecessor-version":[{"id":1720,"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/posts\/173\/revisions\/1720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/media\/1719"}],"wp:attachment":[{"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/media?parent=173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/categories?post=173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cmtn-scandinavie.fr\/index.php\/wp-json\/wp\/v2\/tags?post=173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}